01 June, 2011

Movie Checklist

Here's a quick Movie Checklist - make sure you know the answers to these questions before you write your treatment.

  • Title:
  • Genre:
  • Goal:
  • Arc:
  • What’s the wound/flaw which has prevented my character from achieving this arc before the beginning of this story?
  • How does my characters appearance/speech/environment change to reflect this character arc?
  • Character’s name:
  • Rough age:
  • Poor/middle/rich:
  • Expertise of the movie:
  • Intriguing relationship in the film:
  • How does this relationship change as my character moves through his/her character arc?
  • What is the hook? Describe the front titles sequence.
  • What am I going to set up in the first ten pages?
  • What’s the inciting incident and how is this going to be shown in a dramatic way on screen?
  • What’s my character’s problem at the end of Act I?
  • What’s my character’s goal at the end the beginning of Act 2?
  • What’s my character’s plan to achieve this goal at the beginning of Act 2?
  • Make a list of things which are going to go wrong.
  • How does my character’s plan change as he/she’s confronted with each obstacle?
  • At the mid-point on page 60, what happens in the scene during which my character realises ‘there’s no turning back’ on his/her character arc.
  • By page 75, what’s the list of things that have gone wrong so that my character is feeling as hopeless, miserable as I can possible make him/her? The death scene, do I need one?
  • At the beginning of Act 3, what final, incredible plan does my character make not only to save himself or herself, but, now, to save the community, the world, in fact the entire universe?
  • What’s the amazing climactic sequence at the end of the film?
  • What’s my character’s reward for achieving his/her character arc?
  • What happens in the ‘breathing space’ end credits sequence?
  • What the point of my film? What’s it say about the world in which we live? What’s the premise?
  • My film described in three short sentences.
  • NOW DRAW THE POSTER.
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3 comments:

hapi said...

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Bluecat said...

2012 BlueCat Screenplay Competition Call for Entries

***Early Bird Deadline Aug 1: be eligible for the Best Screenplay Title prizes!
Top three awarded $250.

Script Analysis
This year we will be offering two written screenplay analyses for each submission! Two different readers will read each script, with each reader providing written script analysis.

Prizes
Winner receives $10,000, with four finalists receiving $2,000 each.

Best UK screenplay $1,000.

Best screenplay from outside the USA, Canada and the UK $1,000.

Top three Best Screenplay Titles $250. All screenplays submitted by Aug 1 are eligible for our Best Title contest!

One writer will be awarded a live, staged reading with professional local actors at Screenplay Live in Rochester, New York, as part of the 360|365 George Eastman House Film Festival. The prize includes travel, hotel and a $250 stipend.

Official Deadlines
Early Bird: August 1, 2011 (Best Screenplay Title Contest)
Regular: October 15th, 2011 ($60 entry fee)
Final: November 15th, 2011 ($65 entry fee)


SUBMIT YOUR SCREENPLAY: http://www.bluecatscreenplay.com


ABOUT BLUECAT
Founded in 1998 by screenwriter Gordy Hoffman, the BlueCat Screenwriting Competition continues to evolve as it enters its second decade. With an open exchange of feedback with the screenwriter, BlueCat has developed into a large community of writers passionately committed to writing original, unforgettable work.


BlueCat Screenplay Competition
Website: http://www.bluecatscreenplay.com
Twitter: http://www.twitter.com/bluecatpictures
Facebook: http://facebook.com/bluecatscreenplaycompetition
Weekly Newsletter: http://bluecatscreenplay.com/join_newsletter
Youtube: http://www.youtube.com/user/bluecatscreenplay

BloodyHell said...

Seriously, this is the kind of list that completely crushes any creative process. And possibly worse it's the kind of list that clueless producers brandish as alleged evidence that they have the slightest idea what they're talking about - which also crushes any creative process (coming as we speak to a screen near you is the mediocre result of such list waving).

I'm all for helpful pointers and am a big structure fan (check out Alexandra Sockoloff's excellent blog if you're into such things), but this is just ridiculous. It's not just throwing the baby out with the bathwater it's dissolving the baby in the bath of acid, and then not throwing it out because your'e too stupid to know what you're looking at. I mean, "Describe the front titles sequence" - because "you should know this BEFORE you write your TREATMENT". This may be the least helpful advice ever. I mean ever. Even less helpful than "buy property in Dublin in 2008". Yes, that bad.

(Sorry Robin, I know you're reposting this list from somewhere else, but the mind boggles)