"Tonight, I show a group of students how a cleverly crafted series of setups in a script's first act is the key to effective pay-offs in a credible, contrivance-free climax. Tomorrow, I spend a day doing notes on a script that's a credibility-free contrivance-fest that has no climax... and has already been bought by the studio for half a million bucks."
"Your spec doesn't have to suck. But it helps to acknowledge that it is a sell. It's not a work of art, it's not a priceless pinnacle of writing perfection, it's a draft of a story that wants to be movie. And if letting go of some rules you were taught is what it takes, to get people to see the movie you see in your head... have at it, I say. You have nothing to fear but another rewrite."
Article in full
Roger Moore – My Bond
6 hours ago