"Everyone loves a good movie, but for Design Observer contributors Rick Poynor and Adrian Shaughnessy the passion for film borders on crazy. They started to exchange emails about their favourite visual art — after design, of course — and just couldn’t stop."
"This nails it for me. Film is about numberless small details — a gesture, a single image, a scrap of dialogue, a landscape — that accrue and shape my sense of selfhood and the world. I watch films for their visual style, for acting, editing, music, dialogue, even action, but mostly I go for psychological plausibility. This doesn’t stop me liking fantasy or comedy — although I draw the line at musicals and films where the hero karate chops slo-mo bullets in half — but I want to experience authentic feelings on the screen. I want to watch films by directors, actors, screenwriters and technicians who have the nerve to tell psychological truths."
"Genre is only a helpful term if it’s used with precision and I’m certainly not suggesting that every film belongs to a genre. Arthouse and indie are much too broad as categories to be properly described as genres. It’s certainly useful, though, to talk about the western, the gangster film (film noir is an offshoot), the horror film, the science fiction film, the war film, the musical, or the romantic comedy as hugely popular genres, which depend on situations, characters and narrative codes with which the audience of regular viewers is rightly presumed to be highly familiar."
GETTING IT FINISHED
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